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This path is not for dilettantes, and will push you to the limit, but it has worked for dozens of my students, and it will work for you.It is based on writing principles first proposed by two giants in the publishing field, science-fiction writers Ray Bradbury, and Robert Heinlein, over thirty years ago. And no, you don’t have to be a science fictio... http://net-teams.net/nti/Display.cfm/1338 http://net-teams.net/nti/Display.cfm/1338 Sun, 24 May 2009 11:20:19 PST Defining your fictional characters' voices is important. What is equally vital, though, is grasping your characters' humanity, the core of their fictional soul.A good way to learn how to do this is by observing an incident through another living person's eyes. For this exercise, choose your spouse, a relative, or your best friend to play the fictional character in a 500-word dramatic scene. 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Told with a huge amount of humor we follow Dodie on her sojourn to Thailand, where things do not work out as planned. As she ruefully reflects on in the final chapters, what seems like a great opportunity at the time, had enough flashing warning lights that she should have spotted early on.The story opens with our heroine working a mundane office job during th... http://net-teams.net/nti/Display.cfm/1469 http://net-teams.net/nti/Display.cfm/1469 Sun, 24 May 2009 11:57:04 PST For over a decade, while I was developing my writing skills, I had the great good fortune to work at a large outdoor ethnic museum near Milwaukee called Old World Wisconsin. This historic site includes a crossroads village and ten working farmsteads, with restoration dates ranging from 1845 through 1915. Old World Wisconsin is a place where Interpreters get their hands dirty, so my knowledge of historical domestic and agricultural processes grew exponentially. 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